The small in student numbers faculty was not divided into departments, all disciplines were common to all students. Artists-sculptors were qualified to perform monumental, decorative, easel and portrait sculpture. The main and most prestigious direction was monumental sculpture. The final curriculum included four main topics: “The principle of round sculpture”, “Features of the construction of relief”, “The principle of plastic portrait”, “The principle of monumental sculpture”.
At different times among faculty tutors were: Babichev, Belashov, Bulakovsky, Volnukhin, Golubkina, I. Efimov, A. Zholtkevich, S. Konenkov, Korolev, Lavinsky, Mukhina, Ravdel, A. Teneta, Tchaikov, N. Yasinovsky and others, theory of composition was taught by Favorsky, drawing – Pavlinov, Rodionov, formal principles of architecture in the application to the tasks of plasticity – Dokuchayev.
In total 75 artists-sculptors graduated from the faculty.